Aimee Mann is one of the most interesting and distinctive songwriters of the past 20 years. Just don’t ask her what she thinks of the Mercury shortlist!
He's famed for his method-acting obsessiveness and supposed reclusive streak. But could the real secret about Daniel Day-Lewis be that he's actually rather normal?
Five years after the sublime I'm With Stupid and Aimee acolytes are now having to contend with the shock of Manna from heaven in the shape of her contributions to the Magnolia soundtrack and this more focused, full-length release.
Let us now praise famous women. 2003 was the year of the female condition in all its most gorgeous and gruesome. Sure, the boys – and men – acquitted themselves admirably, but this year oestrogen overload didn’t necessarily equate with PMT (Pro-Minstrel Attention).
Social diarist Amanda Brunker is so high-maintenance even her paper plates are designed by Damien Hirst. Colm O'Hare joins the TV presenter, model, actress, budding novelist and loose-tongued Eamon Dunphy guest in her comfy sea-front residence in Clontarf. Photos by Cathal Dawson.
Once renowned as the doyen of new queer cinema, Far From Heaven director Todd Haynes has long since infiltrated the Hollywood mainstream. In a wide-ranging interview, he speaks about updating Douglas Sirk, seeing Pulp in Dublin and the parallels between American society today and in the 1950s.
Making her solo debut, Andrea Corr has set about re-casting herself as a vampish singer with a taste for dark beats and sultry wordplay. In a forthright interview, she talks about her unexpected re-invention.
A mere six months after taking on the role of Minister for Foreign Affairs, Dermot Ahern has been appointed by Kofi Annan as one of four envoys to assist in the reform of the United Nations and the achievement of Millennium Development Goals. Jackie Hayden spoke to him last week in his Dundalk office about this key appointment, as well as a range of key issues including the war in Iraq, political bribery, Shannon refuelling stops, Gerry Adams and the IRA, our immigration policy, the Health service, his real hopes for the Peace Process and the influence of Dave Fanning on his musical tastes. Photography by Emily Quinn.
Niall Stokes draws on his best-selling book Into The Heart: The Stories Behind The Songs Of U2 to offer a unique insight into the way in which some of the greatest songs in the history of popular music came into being.
The Shanks have manfully fought the good fight over the past few years. Now, at last, with their Brang album, they're beginning to fulfil their potential and knit their disparate personalities and musical tastes together into an eclectic and fascinating whole.
The nigh-on three hour set will see the prolific Adams delve deep into his extensive back catalogue, panhandling for precious nuggets, with songs from Heartbreaker and Gold glinting among the Cardinals’ material.
The movie is a bit too langorous about establishing characters and themes, but the ultimately compelling depiction of entangled relationships and human frailty make it easy to see why the film has seduced critics
This album sees Aimee Mann adopt a refreshingly speedy and ad-hoc approach to recording, not to mention a return to the comfort zone of early ‘70s AOR sounds: dampened down drums, piano, classic rock guitar licks, all overseen by producer Joe Henry (co-collaborator on Jim White’s excellent last album).
Such warm upholstery suits her un-histrionic vocal approach, and the choice of players complements the musical aesthetic and set-up (The Forgotten Arm is a song cycle about two lovers: John, a Vietnam vet, boxer and drug addict, and Caroline – echoes of the female lead in Lou’s Berlin).
Michael Haneke’s new film fails to do anything especially compelling or original with its various narrative strands, which results in watchable but inescapably dull film fare
